Nochvemo
Well-Known Member
The Only House in Town (1971)
Country: USA
Language: English original + Commentary
Subtitles: English (optional not embedded)
Length: 00:53:30
Resolution: 1420x1080 (Bluray)
Size: MKV 2,79Gb
Genre: Action, Drama, Fantasy, Horror, Erotic


Country: USA
Language: English original + Commentary
Subtitles: English (optional not embedded)
Length: 00:53:30
Resolution: 1420x1080 (Bluray)
Size: MKV 2,79Gb
Genre: Action, Drama, Fantasy, Horror, Erotic
The film is bad, very bad. I won't be the one to dismantle the universal myth that elevated Ed Wood Jr. to "the worst film director in history." However, and precisely for this reason, perhaps we could leave a place in our videographic hearts for one of the last films directed by this prolific and delightfully indolent character, who is already part of an indelible legend.
Here, the plot (if it can even be called so) follows Margaret (played by the wonderful and voluptuous Uschi Digard), a young woman who finds herself in serious trouble, and who desperately flees from the authorities, seeking refuge in a lonely and isolated mansion in the middle of nowhere. However, what initially seems like a safe hiding place soon becomes an even more dangerous place. The film is set in the final stage of the filmmaker's career, showing an evolution toward erotic cinema with a clear focus on sexual exploitation, with elements of crime drama. The film offers only erratic and anarchic orgies and gives Uschi Digard as the backbone of the narrative. And, of course, showcases Wood's Jr. typical stylistic virtues at their best: none.
By MartinOaks
Here, the plot (if it can even be called so) follows Margaret (played by the wonderful and voluptuous Uschi Digard), a young woman who finds herself in serious trouble, and who desperately flees from the authorities, seeking refuge in a lonely and isolated mansion in the middle of nowhere. However, what initially seems like a safe hiding place soon becomes an even more dangerous place. The film is set in the final stage of the filmmaker's career, showing an evolution toward erotic cinema with a clear focus on sexual exploitation, with elements of crime drama. The film offers only erratic and anarchic orgies and gives Uschi Digard as the backbone of the narrative. And, of course, showcases Wood's Jr. typical stylistic virtues at their best: none.
By MartinOaks
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