Porn watch Classic and paradigmatic porn movies from 70s to 2000s

[Nochvemo]

The Fireworks Woman (1975)
AKA The Fireworks Man​

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Directed by: Wes Craven
Starring: Jennifer Jordan, Helen Madigan, Erica Eaton

Language: English original
Subtitles: English, Spanish (optionals not embedded)
3,34Gb - 78’06’’ - 1440x1080 - MKV
USA - Bluray​

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The film revolves around the incestuous relationship between siblings Angela (a sensational 23-year-old Jennifer Jordan, who disappeared in 2022 at the age of 70) and Peter (Eric Edwards), a bond that has haunted them since childhood. Overwhelmed by guilt and regret after crossing the line into intimacy, Peter decides to flee his sister and his feelings, taking refuge in a seminary with the intention of becoming a priest. Devastated by the abandonment, and still obsessed with her love for her brother, Angela is drawn into a dark maelstrom of submission, sexual degradation, and rampant promiscuity, in which everyone is drawn to her. As she spirals deeper into a series of humiliating and abusive encounters, her experiences are revealed to Peter, often in the confessional, by herself or by those known to her. This cycle of lust, guilt, and penance ultimately drives Peter to a state of extreme anguish, forcing him to confront his own repressed desires.
By MartinOaks​

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[Nochvemo]

Mystique (1979)​

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Directed by: Roberta Findlay
Starring: Georgina Spelvin, Samantha Fox, Merle Michaels

Language: English original
1,32Gb - 74’30’’ - 720x576 - MKV
USA - DVD​

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Flawed but fascinating, MYSTIQUE offers a rare opportunity to witness the relentlessly morose universe of the late Roger Watkins of LAST HOUSE ON DEAD END STREET infamy filtered through the sensibilities of another filmmaker. In this case Roberta Findlay, resorting to her male alter ego of "Robert W. Norman", thereby perhaps accidentally initiating an unofficial trilogy of the downbeat with A WOMAN'S TORMENT and THE TIFFANY MINX. While Watkins, fresh from wowing fans and critics alike with his dirty movie debut HER NAME WAS LISA, obviously remains the premium interpreter of his self-confessed inner turmoil, Findlay certainly gives it the old college try, gamely taking on board all of the author's lofty idiosyncrasies. For the film at hand, these include an opening quote from French existential poet Paul Valéry and borrowing the names of the wives of Gustav Mahler and Richard Wagner for his main characters where he, of course, gained genre notoriety as "Richard Mahler"!
By Nodriesrespect​

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