Explicit Underground and independent cinema with explicit sex

A rich man rejects doing business with another man. The rejected man then kidnaps the rich man's wife. The plan is to train her thru S&M and make porn videos with her. Then will offer the videos to the rich husband for a high price or else release them to the public to cause embarrassment. This is the third film in the Flower & Snake movie series although no characters or story are related. This film is weak on S&M compared to the previous two. The shibari is more simplistic. Even the sex scenes I found rather boring. But there are of course several fetishes included that were the more interesting parts of the film. Minako Ogawa who plays the female lead was excellent and extremely attractive but unfortunately the script was weak. The story played very well at the beginning but then the entire middle section was just sex & fetish scenes being played out. Little about the characters or plot. I only recommend this one for real fans of the Nikkatsu Roman Porno films. Otherwise you'll probably be bored.
By Musicianmagic​

J.B.1 fits squarely into the genre cinema that characterized much of Bénazéraf's filmography, which explored sexuality and transgression from an explicit perspective. The lack of stylistic innovation in J.B.1 is no coincidence, as the attempt to present a kind of documentary about the actions of his work seems to fulfill that purpose, avoiding any artistic embellishment. The performances meet the demands of a script that prioritizes physical interaction and bodily expression over psychological insight.
Overall, J.B.1 is a strange film that remains faithful to its creator's aesthetic and thematic interests. It does not pretend to be a work of conventional narrative or a character study, but rather a loose, historical representation of its time.
By MartinOaks​

​

This forgotten explicit film demonstrates clearly the dichotomy between competent photography and any semblance of filmmaking ability. It's not a movie at all, but over an hour of Silent Era travelogue plus explicit sex (without cumshots). The concept was to showcase in XXX mode the charms of Mariwin Roberts, who looks more like a Miss USA beauty contest winner than one of Bob Guccione's stable of models. Seeing her hump lame-o Gerry Roberts (presumably her husband) over and over is what you get, extremely boring after a while.
The opening credits advertise two other actresses, but they have fleeting non-sex bit parts as secretaries working with our heroine. Film is lamely framed as "what I did on my summer vacation" as Roberts tells them of her romance in Hawaii. The video box is even more misleading, listing several fictitious names of actresses plus "and more" when in fact this is as close to the two-hander cast format of SLEUTH as you can get. Perhaps the most relevant aspect of the film is that we will be able to enjoy the beautiful protagonist Mariwin Roberts in a sexually explicit role never before seen, a far cry from her more comfortable roles in B-movies and R-rated or softcore projects.
By lor_​

Producer/Director Nick Phillips (in this case, crediting himself as Nick Millard) made a number of "fetish" erotic films from the mid 1960s until the mid 70s, each one getting a little "harder" as the years went by. His films were also typically shot without live sound, so the audio track is voice-over with a jazzy sax music accompaniment. "Pleaures of a Woman" is a series of erotic encounters between a young woman and her recently-widowed aunt, played by the Queen of 70s Erotica (at least in my books!) Uschi Digart. The love scenes are lengthy and fairly risqué for the time, with plenty of full nudity - Phillips takes full advantage of Uschi's buxom talents, and she doesn't disappoint! I have this movie on DVD from Alternative Cinema, which also contains a modern-day remake starring Misty Mundae. Personally, I like the 1972 version better - but I'm a huge fan of Uschi Digart. Image quality is great, as it is on the other Nick Phillips films that I have on DVD.
By jvanderkammer​

Just once again explored some more of the Japan erotic cinema and I must say that the Asian people once again don't disappoint when it comes to a skin flick. This title "Zoom Up: The Beaver Book Girl" is once again a Japan erotic masterpiece from the Nikkatsu collection. The tale involves a sexual mystery set in the world of the pages of adult magazines. Starting many years ago with a Japanese woman who was brutally attacked in an old factory, with her attacker escaping leaving behind a trail of money. Connecting up with the present many years later an adult photographer who's snapshots of underwear pictures meets a mystery female who's a model in disguise. This encounter will reveal a hidden mystery. Overall good Japanese erotic film that pushes the limits showing the violent and mind numbing side of sex this is one film you will remember.
By blanbrn​

The film fuses crime and eroticism with a plot that unfolds in the sordid underworld of a Parisian modeling agency, which actually serves as a front for illicit activities, including prostitution. The narrative follows the investigation into a series of crimes that take place within that environment. It delves into the interactions between the characters who inhabit this dark environment, revealing their secrets and motivations.
Through a series of explicit encounters and situations (which do not include fluids or ejaculations), the film explores themes of exploitation, power, and ambiguous morals, interweaving the intrigue inherent to the detective genre with significant erotic content, focusing on the atmosphere of depravity and the power dynamics within this clandestine environment. Both installments of "La Planque" (volumes 1 and 2) are works that fit perfectly with José Bénazéraf's signature style of the 1970s, combining police procedural with adult erotica (specially blowjobs).
By MartinOaks​

Following a number of disappointments viewing some highly-regarded Jess Franco movies, I warily approached this Erwin C. Dietrich production - which came none too soon, considering that I'd had the VHS of SEXY SISTERS for six days before I could summon enough courage to try it! It's similar to SINFONIA EROTICA (1979) in that its characters are motivated either by greed or sexual frustration, and in its general depravity. Like SINNER (1972), then, while the film purports to be the character study of a single nymphomaniac, sex is virtually the only thing all the characters - and, by extension, the director himself - think about!; having four women in the brew, for instance, was a bit much, though the nurse's character (torn between her 'boss', Jack Taylor, and her genuine feeling for Karine Gambier) is quite interesting.
The formal look of the film (especially interesting is the interior design of the sisters' mansion with its proliferation of feline imagery) extends itself to the trim plot line, the effective but unobtrusive score and the generally balanced performances (though it must be said that no member of the cast is particularly taxed by the level of acting necessitated by the film).
By Bunuel1976​